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Review

A taste of the “Highlands”

How does an American malt whiskey stylized after a Highland Scotch single malt measure up to the real thing?  This has been a curiosity of mine for a bit, and I figured the best way to start to answer would be a blind tasting. 

For the lineup, the American malt in question was Virginia Distillery’s Courage & Conviction.  Distilled from a mash of 100% malted barley, the flagship offering of the distillery nestled in the Blue Ridge Highlands is aged for a minimum of 3 years in a combination of Bourbon, Sherry (Fino, Oloroso and PX), and STR Cuvée casks.

To compare, I chose a Non-Age Statement expression from a newer Highland distillery (Wolfburn Single Malt), a younger expression from one of the best (Glendronach 8 The Hielen’), a marginally older expression from an underappreciated distillery (anCnoc 12), and an old friend, a bottle I’ve enjoyed for the sentiment and the spirit (Glenfarclas 15).

Highland whisky range
Not a bad lineup.

What happens when this American malt is inserted into a Scotch lineup? Will it be recognizably different, or will it hold its own? Let’s find out.

Drams
Let’s get drinkin’

Whisky A

Nose: Fresh and sweet with pear, cut flowers, rosewater, sidewalk chalk, and petrichor.  Pleasant, but unremarkable

Palate: The orchard fruit sweetness on the nose is instead candy sweetness in the mouth, and pleasantly chalky — reminiscent of edible candy necklace. A floral jasmine tea notes floats around the edges.

Finish: Short-medium; the jasmine tea comes forward and then relents to an oaky tannin.

Rating: 5.7/10.  The nose was better than the initial and mid palate, which were better than the finish.  This isn’t an un-enjoyable whiskey.  Slightly above average, but forgettable.  Not much evolution, and too much oak tannin. I’d enjoy a bottle, but wouldn’t rush to buy again.

Whisky B

Nose: Very, very similar to whiskey A’s combination of orchard fruit, floral notes, and chalky candied sweetness.  Honeysuckle, Smarties, red apples stewed in brown sugar.

Palate:  Again we’re hitting some of the same ranges as A.  The candy sweetness is still there, but not cloying, joined by a chalky vanilla and a memory of potted flowers.

Finish:  Medium length; Ginger heat emerges with a hint of dried fruit and oak.

Rating: 6.3/10. A and B are thematic cousins, but B is a bit brighter, deeper and more balanced.  Slightly-more-above average. Another where I’d enjoy the bottle, but wouldn’t look to buy again.

Whisky C

Nose: More orchard fruit and candy sweetness, but this one is a little less floral.  Toffee, vanilla, red apple, milk chocolate powdered drink mix.

Palate:  Rich toffee, mixed dried fruits, bittersweet chocolate, and a cola rinse

Finish: Short-Medium length; The cola rinse turns to root beer, then a pinch of black pepper.

Rating: 6.7/10.  Richer than A with a more interesting evolution.  Tastier than B, if slightly less complex.  It’s still pretty damn close to the first two, but I enjoyed this one most thus far.  We’re approaching comfortably above-average.  I’d definitely enjoy the bottle and consider a repeat purchase.

Whisky D

Nose: Red apple, cherry cola, candy necklace, dark fruit, with damp, old wood underneath.

Palate: Chocolate, charred fruit vanilla, baking spices: cinnamon, clove, maybe some anise

Finish: Long; Dark chocolate, char, and cinnamon.  This one wants to hang out for a bit!

Rating: 7.1/10.  I’m impressed.  This dram built on the others, added some richness, dark tones, and a lovely char. A very good whisky that I’ll buy again in the future.

Whisky E

Nose: Caramel, dark dried fruit, damp earth and a hint of cut grass.

Palate: This is all caramel, vanilla, and dark fruit

Finish: Short; Dark fruit and black pepper.

Rating: 6.9/10. Straightforward and simple, but delicious.  The black pepper on the finish created enough interest to elevate this one into second place on the night for me. I wouldn’t particularly enjoyed taking 45 minutes to geek out and analyze this whisky, but I’d sure as hell enjoy casually drinking it. Definitely above-average and will consider a repeat purchase.

Umm, so where’s the Virginia whisky?  That was my first reaction to finishing the tasting.  While there were notable differences among the whiskeys, none of the overall profiles really stood out as an outlier.  Than in itself is impressive for the folks at Virginia Distillery Co., particularly given the age of Courage & Conviction.  Now, onto the reveal, in ascending order of rating:

Whisky A (5.7)…..anCnoc 12.  Well, that’s kind of a bummer.  This was one that recently debuted in my world via a sample (Thanks, Fadi!), and I really enjoyed it then. Given the modest price point, it was under consideration to enter the regular purchase rotation.  Now?  Maybe not.  Hopefully its poor performance was a neck pour issue.

Whisky B (6.3)…..Glenfarclas 15.  NO!  Say it ain’t so, old friend.  This was the whisky that made me fall in love with Scotch.  Have my tastes changed? Is this a subpar batch?  Not an easy whisky to get (it is not sold in the US market), so we may have to go on a break.

Whisky C (6.7)…..Courage & Conviction.  Impressive!  Ignoring the numerical rating, this was a good Highland whisky. It beat expressions from distilleries that have been making whisky for over a century. Bravo.

Whisky E (6.9)…..Glendronach 8.  That makes sense. Few bring out the dark fruit notes of a sherry cask like Glendronach, and this one had notable bourbon cask influence in the rich caramel and vanilla. For ~$35, that’s one heck of a purchase.

Whisky D (7.1)…..Wolfburn.  What a pleasant surprise!  This bottle was purchased on a whim to complete the tasting. IT was on sale and seemed interesting enough, and for $35!  Talk about a value!  The smoky char is what I think really set this one apart from the others. It goes to show the one real truth in whisky – smoke rules all!

Final Thoughts

This was fun.  If you ever want to defy your expectations and really practice your process of analyzing a whisky, a blind tasting is the way to go.

Age, seemingly, increasingly is just a number in the world of whisky.  The two oldest whiskeys I sampled were my two lowest rated.  Give those lonely NAS bottles some love!

American malt is the next frontier for whisk(e)y lovers; I firmly believe that. American distilleries don’t just do bourbon and rye.  There are world class single malts sitting on the shelves, waiting to be enjoyed.  Consider reaching for a Virginia Distillery, a Balcones, or a Westland you’re ready to purchase the water of life.

Categories
Preview

Coming Attractions

Last week in TTB Approvals

11/30-12/4

Here are the label approvals from last week that I found most interesting and noteworthy:

Go West, Young Man

Westland Peat Week
Source: TTB

From one of America’s premier distillers of malt whiskey comes the annual Peat Week release from Westland. This installment looks to be finished in rum casks.  Westland’s signature nutty coffee character should be a really interesting interplay with the peat and rum notes. Kudos for the fantastic retro-comic label.

Maybe you can teach an old dog new tricks

It’s easy for established, massive brands to rest on their laurels and stick to their historically successful profile.  Stephanie Macleod and Dewar’s have deviated from that route and experimented with some interesting and innovative cask finishes recently.  First was the “Caribbean Smooth” expression, finished in rum casks.  Then, the “Ilegal Smooth”, finished in Mezcal casks.  Next up is “Japanese Smooth”, finished in Mizunara oak casks. 

A Glenmorangie budget offering?

X by Glenmorangie
Source: TTB

Glenmorangie X was “[c]rafted with top bartenders” and “made for mixing”.  A Scotch distillery known for their single malt making a bartenders’ edition is not unheard of (e.g., Auchentoshen), but I don’t recall any such distillery marketing and labeling an expression of their single malt as “for mixing”.  Could this be Glenmorangie targeting a much wider market than they normally reach?  As far as I’m concerned, Dr. Bill Lumsden can do no wrong, so this will be on my home bar shortly after it hits the market.

New Expressions from Kentucky

Old Forester expands their Rye lineup with a Single Barrel, Barrel Strength expression, and Bardstown adds “Distillate”, their version of White Dog, or un-aged, whiskey. The Old Forester lineup expansion is no surprise, as that’s a trend for larger American distilleries. Bardstown adding Distillate is a welcome treat for whiskey geeks. It’s not often you get the chance to compare un-aged spirit with the aged products to really see what effect a barrel has on a finished whiskey.

Sourcing Bourbon with Magnificence

The world’s first crowd-sourced distillery, Crowded Barrel Whiskey, received approval on their latest in the Eleanor series, sourced from MGP and aged in Texas.  Crowded Barrel is the brain-child of Daniel Whittington and Rex Williams, producers and stars of the top 2 whisky channels on YouTube, The Whiskey Vault, and The Whiskey Tribe. Daniel and Rex have sourced funds, ideas, and decisions from their fans, the Magnificent Bastards, to create a truly unique whiskey community.  This Eleanor is a wheated mash bill from MGP, but unfortunately will not make it to retail shelves. A visit to the distillery or Patreon subscription are your only routes to trying this one.

Very Olde and just a smidge olde-er

Two from Very Olde St. Nick: a 15.96 year old and a 16 year old. I’ll be curious to see if the 15.96 ever makes it to market. That would be one of the more unusual age statements on a bottle. I’d imagine when/if these hit retail, they’ll be very difficult to procure.

Categories
Blind Review

Giving Thanks for Jack Rose

My family has been fortunate in these unfortunate times.  Amid lockdowns and economic collapse, we’ve suffered no financial burdens, having already worked from home full time.  Our modest contribution to keeping this ramshackle cruise liner of an economy afloat has been patronizing (when we can) favorite small businesses. Chief among those is the legendary whiskey paradise, Jack Rose Dining Saloon.

For Thanksgiving, Jack Rose offered various food items, themed cocktail flights, and whisk(e)y tasting flights.  We decided to go with a bourbon pecan pie (the best pecan pie I’ve ever had) and the subject of this post, the “Tour of Scotland” tasting flight.

Tasting flight and pie
Name a more iconic duo.
Drams unveiled
Unboxing the flight.
Unpoured drams
Waiting for the kids to go to bed…

The Tour of Scotland included the following:

  • Mortlach 1993 Single Malts of Scotland Sherry Cask, 26 yr., 60.5 abv
  • Royal Brackla 2006 Classic Cask, 11 yr., 46 abv
  • Glenturret Northstar, 8 yr., 57.1 abv
  • Talisker Distiller’s Edition, 10 yr, 45.8 abv
  • Lagavulin “South Shore Islay” Valinch & Mallet 8 yr., 48.8 abv

Some big hitters in there.  A smart consumer would have been sure to grab the tasting notes before leaving, so as to be able to confirm which dram corresponds to which whisky, but I may have neglected to do that.  So we have ourselves a (semi) blind tasting!

Ready to taste
And here…we…go!

Dram #1:

Nose: Brown sugar, salted butter, cantaloupe, nutmeg, toffee; water unlocked an herbal bouquet and damp leaves

Palate: Walnut, dark chocolate, ginger, oak; water unlocked black licorice and caramel

Finish: long; Mexican chocolate and softer, lingering oak

What a depth and breadth to that nose!  Confectionary notes, tropical fruit notes, herbal notes, earthy notes.  It was enticing, complex, and interesting.  I could have spent an hour just nosing this whisky.  The palate was hot and a bit more compact. Fruit notes faded, the spice ramped up, and the tannic oak took control.  More spice on the finish along with that a more pleasant, lingering oak.

Score: 6.5/10. The nose was astounding, but taste did not hold up to that high bar.

My guess: This is the Mortlach, and the prominence of tannic oak leads me to believe it’s a bit overaged.  I would have loved to try this in the 18-21 year old range.

Dram #2:

Nose: Honeyed pear, fresh cut flowers, a touch of spice; water pushes the floral notes in the direction of fresh mint leaf

Palate: Fruit – more dried than fresh – dates, figs; caramel, vanilla, that touch of spice again; water lightened the fruit tones ever-so-slightly

Finish: medium-long; baking spices – clove, anise – and black coffee

Rating: 5/10.  Nose and palate were each a bit shallow and compact. It was a nice whiskey, and I was glad to have tried it, but I wouldn’t seek it out.  Better shelfie options available.

My guess: Even if I’d had this before #1, I’d have guessed the Royal Brackla.  It doesn’t have the maturity of an older whisky, and the other non-Mortlachs should all have significant peat influence.

Dram #3:

Nose: Smoke, bruleed sugar, grilled pineapple, menthol, the underside of a wet log

Palate: Rich buttery caramel, smoked milk chocolate, pecan sandies

Finish: medium-long; pepper, char, earth

Rating 7/10.  It’s tightly packed and not particularly complex, but my, is it delicious.  I may buy a bottle.

My guess: Little doubt this is the Glenturret.  I could buy an off-profile Talisker or Islay with that nose, but the palate is unmistakably Highland.

Dram #4:

Nose: Root beer, vanilla, toffee, light brine, sweet barbeque sauce

Palate: Dry and ashy; dark chocolate, black pepper, vanilla, a memory of smoke, slight oak, dried cherries

Finish: medium-long; bitter, extra dark chocolate, oak

Rating 5/10.  This one is a victim of expectations.  At this point in the tasting, I’d already assumed it was the Talisker (the color is particularly revealing there).  The signature maritime notes of Talisker are hinted at in the nose and completely vanished on the palate.  A shame.

My guess: No suspense here.  It’s not an Islay, and the color means it can only be the Talisker

Dram #5:

Nose: Grilled lemon, smoke, spearmint, caramel, cherry cola Bubblicious

Palate: Vanilla, pear, smoke, lemon peel, pepper, mineral earthiness, brine

Finish: long; ashy smoke turns to earthy peat reek

Rating 6.5/10.  I like this one.  It’s certainly an Islay – the heavier smoke and peat make that evident. What makes it a bit more interesting are the atypical notes of lemon and cherry cola flavored chewing gum.

My guess: Lagavulin, duh.

Overall, I really enjoyed this tasting. Five whiskies I’m unlikely to ever see on a store shelf or at another bar/restaurant.  That’s what makes Jack Rose so special.  It’s a land of dusties and unicorns. The 2700 bottle-strong whiskey book is constantly in flux, and never leaves you wanting.  It is a pilgrimage-worthy destination for any whisk(e)y nerd.

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Review

Glenfarclas 105

Glenfarclas 105

I’m surprised at how long it took us Whiskeyteers to get to the Glenfarclas 105, considering that we’re all 3 fans of sherried whiskies and we all have a soft spot for the family-owned Glenfarclas (especially their 15 year old, which is really, really hard to get in the States). Did I mention we all loved every single barrel sherried Speyside/ Highland we’ve tried from the SMWS?

I guess the availability of the 105 takes out the impetus to grab one and get it done. We still haven’t grabbed a bottle; this dram was purchased by my brother who’s working from home from Aruba during this Covid pandemic. He said the beach gets old after a couple of weeks, the kids get used to the novelty and it’s business as usual with the downside of severely limited and overpriced whisky selection – I don’t buy it.

This Glenfarclas 105 is a cask strength whisky bottled at 60%. It should be a fair comparison to the SMWS single cask releases mentioned above, whenever we get to that. Which reminds me… I should get Mike to draft a post on cask strength vs. single casks, scotch, bourbon, blends, single malts, bottled-in-bond, scotch regions, glencairns, independent bottlers, e150, chill filtration, ABV and proof, Oloroso, PX and all things 101 and beyond. He’d love it I’m sure.

Glenfarclas 105:

Bottled at 60% and I’m sure left unchill filtered and at natural color. No age statement, but it’s suggested the whisky is 8-10 years old and aged in sherry and bourbon casks.

Appearance: auburn, like polished mahogany.
Nose: A pot of dark pine honey exploded in the spice cupboard, which was build recently out of quality hardwood. There was also a bag of ripe oranges in there, for some reason. And vanilla. With water, the nose goes caramel supernova. Cheremoyas.
Palate: The high ABV juice builds up to molasses and toffee, accompanied by orange rinds and a touch of zaatar. The wood, fruit and sherry are inseparable. A touch of salt makes an appearance on the long and drying finish. With water, we go deeper into sherry territory, dried fruits and some pepper on the finish.
Score: 7/10

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Review

Longrow vs. Kilkerran 12 (vs. Ardbeg 10)

Longrow, Kilkerran 12, Ardbeg 10

I’m thinking about beginnings. Specifically, the genesis of this post.

Was it is the first time I tried a peated whisky, 18 years ago at the Cheesecake Factory’s bar in Tyson’s Corner? It was a Lagavulin 16 and I was not able to finish my dram.

Was it the first time I actually enjoyed a peated whisky? That was 10 years ago and the dram was a Laphroaig 10, shared with a good friend. Something must have happened to my palate (and nose) in the 8 years between that Lagavulin and the Laphroaig. Peat was suddenly this delicious, addictive thing and I needed to consume a whole lot more of it.

How about the first time I had an Ardbeg? Jihane and I picked up a bottle for our friends when we got invited to dinner, some 8 years ago, and I was so floored by that dram that I could not wait to pick up a bottle (or six) for myself. I still find considerable enjoyment in that whisky.

Or was it the first time I had a taste of whisky, back in Lebanon when I was entirely too young to drink and had a sip of my dad’s Red Label?

I’m not sure. Who cares? What’s important is peat, people. That wonderful vegetal moss and the wonderful whisky makers who use it to dry malted barley (fact: peated was traditionally used at malting as it was the main source of fuel around Scottish distilleries) . Peat smoke melds with the malting grain and imparts intense smoky, tarry, meaty, medicinal notes in Islay whiskies, smoky and briny notes in other Island scotches, smoky and industrial notes in Campbelltown whiskies. Speyside and Highland distilleries consistently peat some expressions as well and the results are worth exploring.

Islay Scotch was my first peaty love. I’ve explored a bit wider since and am now having a serious fling with Campbelltown juice. More importantly, I’ve started picking up on both the quality of the distillate and the barrels whiskies are aged in, so a peathead description would be narrow and limiting. This is not a post about peat. Well, not just. It’s a post about good whiskies, even great whiskies if you factor in value.

Onto 3 of what have become daily drams slash perennial stockers:

Longrow

Distilled by the Springbank Distillery, one of the last surviving producers of single malts in Campbeltown, an area that once boasted over 30 distilleries. Springbank is family owned (by J&A Mitchell & Company) and produces the unpeated Hazelburn line, the lightly peated Springbank and the more heavily peated Longrow lines.

Longrow is a no age statement (NAS), bottled at 46%, unchill filtered and with no color added.

Appearance: light gold
Nose: I’m hit by so much maltiness. Raw white flour dough, butter, vanilla, a touch of motor oil. Imagine a crème renversée that’s been aged in a car mechanic’s tool box. A touch of salt, stewed apples.
Palate: creamy mouthfeel, peaty deliciousness with hints of rubber (toy car tires) and diesel, quickly giving way to caramel and vanilla. Peaks at dark cherry jam with orange peels (of yeah, plenty of fruit notes here). Salty throughout. medium long finish with salty toffee and a touch of sulfur. Water is not hugely beneficial.
Score: 8/10

Kilkerran 12

Produced by the Glengyle distillery in Campbelltown which is also owned by the Mitchell family. Between Springbank and Glengyle, J&A Mitchell owns two thirds of all of the remaining Campbelltown distilleries (the third being Glen Scotia). According to Kilkerran’s web site: Kilkerran is derived from the Gaelic ‘Ceann Loch Cille Chiarain’ which is the name of the original settlement where Saint Kerran had his religious cell and where Campbeltown now stands.

Kilkerran 12 is bottled at 46%, unchill filtered and with no color added.

Appearance: light gold (no coloring, unchill filtered)
Nose: leads with vanilla (quality, not artificial vanillin) and malt. Butter and salt again, similar to Longrow, If I dig, a touch of alcohol gives this a bit more bite.
Palate: creamy/oily mouthfeel. Wherthers originals with bitter orange rinds, into buttery and creamy desserts, then warm and peppery with nutmeg and white pepper on a medium long finish. Herbaciousness and brine throughout, peak on the finish. This dram tries to balance everything.
Score: 7/10

Ardbeg 10 (46%)

Located on the south coast of Islay, the Ardbeg distilley produces heavily peated whiskies. It was at one point owned by Hiram Walker, was then bought by Glenmorangie which was in turn bought by the now current owner, Louis Vuitton Moët Hennesy (LVMH). Dr. Bill Lumsden, Glenmorangie’s director of distilling has a hand in Ardbeg whiskies.

Ardbeg 10 is bottled at 46%, unchill filtered and with no color added.

Appearance: light gold (no coloring, unchill filtered)
Nose: tar, bandaid, a touch of iodine, a touch of rock pool, green olives. Weirdly enough, you can get hot cinnamon and mastic gum if you smell this from a different mental angle.
Palate: ashy smoke, vanilla, honey, then caramel with some green apple and lemon zest. Medium finish with some warming cinnamon on the tail end. Water tamps down the peat into wet ash and the mouthfeel suffers.
Score: 7/10

You may have picked on the fact that I like these 3 drams, a lot. Longrow gets the gold on the incredible creamy mouthfeel, something that’s become increasingly crucial in my book as I go through the unfortunate Laphroaig 10 on my shelf (review to come soon). It’s also so well balanced (and just plain delicious) it’s so hard to find any faults with it.

Kilkerran is outstanding as well but loses a point by compariosn to Longrow. Where Longrow is, to borrow a British expression, moreish, Kilkerran is, to borrow another British expression, slightly uncouth.

The Ardbeg 10 stands on its own as a great Islay (one that is very near and dear to my heart).

Mike and Fadi both have samples or bottles of these whiskies, my daily drinkers if I could drink every day. I can’t wait to see what they think.

Categories
Preview

Coming Attractions

Today we’re debuting a new feature: Coming Attractions.  Here, we’ll share our most notable and/or interesting label approvals of the week from the TTB’s (Alcohol and Tobacco Tax and Trade Bureau) database.

For the debut edition, we’ll be reaching a little further back (to November 1) to do some catching up.  Without, further ado, here…we…go.

Ardbeg Scorch

Ardbeg Scorch
Source: TTB

Next year’s dragon-themed Committee Release is sure to fly off the shelves.  A single malt from Ardbeg from the most heavily charred casks in their dunnage–could this be Alligator 2.0?  I’m in.

A pair from Single Cask Nation

If you’re not familiar with Single Cask Nation (“SCN”), they are the most notable US-based independent bottler. While they require a membership to order, there is no membership fee. 

14 Year Old Straight Bourbon: “Tennessee”

“Tennessee” is so labeled because some distilleries, as a rule, don’t allow their name to be used on an independent bottling, presumably to prevent brand dilution.  This SCN label reveals that the whiskey was distilled and matured in Tullahoma, TN—the home of Cascade Hollow Distillery, the distillery behind the George Dickel brand. 

6 Year Old Ben Nevis

It’ll be interesting to see the price point on this youthful scorcher (67.6% ABV!).  It’s not often you get to taste really young Scotch single malts.

Don’t Mess with Texas

Texas is quickly becoming a distinct whiskey region with a character all its own, and two distilleries leading the way, Balcones and Ironroot, each have a new approval.

Balcones Luckenbach

A “whisky finished in Texas wine casks”.  Head Distiller Jared Himstedt has touched on a cask exchange program with a local winery: wine casks would go to Balcones for whisky finishing, then back to the winery for wine finishing, then back to Balcones for whisky finishing, and so on until the casks are no longer useable.  Could this be the first iteration of that program?

Ironroot Outlier

A light whiskey is one distilled to between 160 and 190 proof, and tends to have lighter, more delicate flavor characteristics.  It will be fascinating to see how maturation in the aggressive Texas climate effects a distillate with a lighter profile.

Three from Kaiyo

Source: TTB

Redesigns of “The SHERI” and the Cask Strength offerings are slick; very Shibusa. More exciting is “The RUBi”.  I can only speculate that this is a Ruby Port finished Kaiyo.  If true, this very well may be the first wide-market whiskey to combine Mizunara aging with a Port finish.

Special Editions from Springbank Distillers

Longrow Red is one of the more sought-after annual releases in the Scotch World.  The next iteration is a bit younger (10 years old), but spent three years in South African Malbec barriques.  It’ll sell quickly, as per usual. Keep an eye out for it.

Springbank Local Barley is another offering in the (very welcome) trend of transparent whiskey provenance. This is one we’ll have to target and experience.

Port-finished Rye…so hot right now

On the heels of Angel’s Envy Rye, we’re seeing more distilleries producing their take on the finishing combination.  Next up, Revival and Smooth Ambler (Old Scout).

Tater Bait

A limited release from a major Bourbon distiller? Good luck finding this Toasted Barrel version of Heaven Hill Select Stock at MSRP unless you’re willing to camp out like you’re your trying to score Grateful Dead tickets

An Exciting Newcomer to the American Scene.

Generally, American distillers producing malt whiskey have applied Bourbon distilling techniques to a malt mash bill, or have taken inspiration from Scotch.  Talnua Distillery in Arvada, Colorado has taken their inspiration from Irish whiskey to create American Single Pot Still whiskey — a mash bill of both malted and unmalted barley triple-distilled using a pot still. Here’s hoping it’ll find its way to the DC area.

A New Scotch Distillery…Need I say more?

Yes, I need say more.  The second distillery on the Isle of Skye, Torabhaig’s debut is a 3 year old single malt that touts “Smoke & Brine”.  Will it grow into a true rival of its isle-mate, Talisker?  Fingers crossed.

Octomore and Octomore-lite

Fresh off their October release of the 11 series Octomore, Bruichladdich received approvals for 12.1 (Scottish Barley, usually aged in American oak ex-bourbon casks), 12.2 (Scottish Barley, aged in European oak), and 12.3 (Islay Barley) editions, likely due to be released Fall 2021.  The PPM readings are bit lower than usual, but that doesn’t dim our excitement. Port Charlotte’s Cask Exploration series has yet to make it to the glasses of the Whiskeyteers, but this will definitely be a target.  We are unabashed lovers of Bruichladdich.

Categories
Review

Glen Grant 12 vs. Hakushu 12

Mike’s Blind Drop 11-23-2020

Rachid’s tasting notes:

Mike’s blind whisk(e)y drops are getting trickier these days. While still deeply in love with SMWSA, he’s branched out into distillery releases (and not just Scotch). Two vials were dropped, one marked with an umbrella and the other with a mountain sticker. Mike’s also in love with his fancy label-maker.

I thought both were both Speyside distillery releases, bottled at around 45% at 12 years old. They were both enjoyable and extremely easy to drink. As far as complexity, I told Mike (pre-reveal) that the whisky that eventually turned out to be Hakushu 12 is a bit darker/more substantial.

Glen Grant 12:

Glen Grant is a Speyside producer owned by Campari. The 12 is bottled at 43%.

Appearance: pale gold
Nose: honey and pear, a sprinkle of Maldon. With a bit of time, butterscotch emerges.
Palate: caramel and vanilla, a touch of cherry. decent mouthfeel. Finish: medium, caramel.
Score: 5/10

Hakushu 12:

Produced by Suntory, bottled at 43%.

Appearance: slightly less pale gold
Nose: juicy apples, vanilla custard
Palate: a bit more oomph here. Apples, caramel, a kiss of oak.
Finish: medium-long, white pepper and a touch of cinnamon.
Score: 6/10

Mike’s tasting notes:

Glen Grant 12:

After a long period of targeting single cask, limited releases, cask strength, and independent bottlers, I started to feel some very real palate (and wallet) fatigue. I figured the best solution was an exploration into core expressions of distilleries slightly off the beaten path.  First is Glen Grant.

Nose:  Toffee, red apple, a touch of baking spice: anise and cinnamon
Palate: Apples, honey, vanilla
Finish:  Short.  Fruity with dry spice.
Score: 5.5/10

This is a nice, affordable whiskey. Very fruity and a tasty, easy drinker that isn’t particularly complex but has no major faults.  Malt mustiness and barrel tannins are very low here, so it could also make for an excellent mixer.

Hakushu 12:

“For relaxing times…make it Suntory time.”

The words that sparked a Japanese whiskey boom.  Ever since Bill Murray’s disenchanted Bob Harris struggled to deliver that marketing slogan “with intensity!” in 2003’s Lost in Translation, the hype and accolades for Japanese whiskey have been seemingly unending.  My experience with Japanese whiskey has been less enthusiastic.  I haven’t yet drank the Kool-Aid.  Will an expression from Suntory’s forest distillery change that?

Nose:  Damp leaves on a forest floor, freshly cut flowers, fresh mint leaf, Asian pear, butterscotch, salt, a wisp of smoke
Palate: Red apples, honey, grapefruit zest, oak, pine, black pepper, wood char
Finish: Medium-long with oak, black pepper, and char
Score: 7.5/10

Freshness rules the day here.  The nose is evocative of a walk through the forest after a spring rain. Damp earth and fresh flora unfurl into fresh fruit and butterscotch and a kiss of smoke and salt.  The palate reveals more fruit and finishes with a decidedly woody character–one could be convinced some of spirit was aged in virgin oak.  This is the Japanese whiskey I’ve been looking for. Restrained and subtle initially, with a stunningly fresh character. Patience unveils layers of complexity and balance.